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וער פארשטייט גיט צו מוזוק??

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נשלח ב-21/4/2005 01:48 לינק ישיר 
וער פארשטייט גיט צו מוזוק??

Who is your favorite musician, arranger, composer,singer, engineer, etc. and WHY?

Here are my opinions,, let's hear yours!

Musician:
That's a tough one lets say it can be broken down into two categories, rhythm, and brass. Rhythm: is a toughie but there is one musician that stands out , Yaron Gershovsky. His playing dominates the music. Even if in a quite way you can hear the ''Yaron signature'' there. There are other great pianists around for instatnce Yaron Gottfried, but his hands sound heavier than Gershovsky's you can really hear it in the fluidness of slow songs.
Brass: is much easier it has gotta be Avrum Felder from Israel. His performance in Mona3, the buzz, flight of the bumblebee was amazing. There is a runnerup in this category as well, Jim Hynes. His signature introduction to the song ''Someday'' is terrific but his control, range, and power does not come close to Felder.

Arranger:
Not easy again there are so many and everyone has great hits, Yisroel Lamm for all his great intros, Brass work, and string work. Moshe Laufer for his bringing out the melody. Mona Rosenblum for his creativity and newness. Ruvi for a very full sound and great ideas, Junior Laufer for his great work especially for using very few instruments to create a giant sound.

Composer:
That's also a tough one there are so many good ones out there, so we are going to have to break it down a little.
Older slow songs I can think of three: Moshe Goldman's Heegooleh. Yossi Green's Rochel Mivaka. And Carlbach Yizkiraim. Those are in my opinion timeless they are still great to listen to even today.
Older fast songs Also very tough but I think Shmuel Borger With Ani Mamin and Boroch Hagever.
Current fast songs, the belzer guys, for Simen Tov, Viyadee, Ki Atto, and Uvinee.
Current Hora, Yossi Green Daagah, Dido Bei, and Yirachmiel Begun L'mironon (before Ben Bag Bag )
Current slow, there are a lot but again one that stands out I don't remember who composed it but Efraim Mendelson sings it, Kayol Tarog.

Singer:
Who else MBD. Avrum Fried comes close, but not quite. Then of course theres Lipa, not a lot of singers can do what he can. I do not mean his ''shtick'' or his voice. There are very few singers that can write, and perform such complex harmony lines as lipa can do and no less on the first take in a studio. (happyjew what do you think?)

Engineer:
I don't kow maybe someone can help me, though JJ is a definite maybe!!

What do you think???



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נשלח ב-12/2/2006 17:02 לינק ישיר 

anyone know where the clarinet intro (played by arkady) on L'eiloh I'leiloh was recorded? i think its the fourth song.




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נשלח ב-12/2/2006 12:37 לינק ישיר 

well galkol now has pro tools. they hardly use there 2inch. and even in the same studio you hear a tremendous difference. I like pro tools, great for editing BBBUUUTTT.. for drums and bass, flutes, clarients, trombones (more than trumpets) and strings i highly highly recomend (whenever you have an option) use 2 inch. The tape distorts and you get a rougher harder fuller and BETTER sound. BTW gal kol.... wow the sound in the green room is amazing... i've been to alot of studios and recorded on 2 inch at other places.. the sound there is just amaizing. aperently for singing Ken's place is realy good but .... i don't sing



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נשלח ב-10/2/2006 01:45 לינק ישיר 

happyjew, i dont think its fair to compare the difference between analog and digital by comparing two different studios!! like you mentioned, mic placement is a big issue there as well as different mics, preamps, compressor, etc. etc



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נשלח ב-9/2/2006 19:42 לינק ישיר 

Thanks hydetalk for clarifying the name. That's what I meant United, I remembered some thing with U-n-i Being that you brought up the analog - digital thing In our Camp Shalva line all projects since Somachtee the rhythm was always recorded in Gal Kol on 2 inch analog besides Idvorov which was recorded in no other place than United Studios by Ken Burgas It does not say so in the US printed labels put on the Israely batch we managed to correct this info Now take for instance the Drums It was played by the same drummer if you want to compare the most possible Idvorov and Shomrim where Shomrim Drums where recorded on 2 inch Analog it sounds totally different but remember that at Ken's place the drum kit, micing and room was different as well But beleave me the instant I got the raw tracks from Israel from Ken I was convinced that I COULD hear the difference and shure enough we went back to analog atleast for the drums it made a huge differents to me



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נשלח ב-9/2/2006 01:44 לינק ישיר 

thanks for the info, hydetalk.

i think the debate of analog vs. digital should be discussed further as im sure alot of people have strong opinions on that subject (I know i do i just want to hear others first)

oh, and no apology needed as no offense was taken ( im sure the people from turkey are nice guys).

תוקן על ידי - muzakal - 09/02/2006 1:44:24



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נשלח ב-8/2/2006 19:14 לינק ישיר 

oh about the turkish

i apologise i meant you sound like a turkish instrument :addSymbol('wink1.gif'); תוקן על ידי - hyde_talk - 08/02/2006 19:16:28



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נשלח ב-8/2/2006 19:11 לינק ישיר 

Ken spent a large part of his life at some of the worlds leading studios. He was always involved with the pros, and not the pros that get decided on OLAM HANEGINA forum, i'm talking P R O F F E S I O N A L S. You talking about over processed recording mixing etc.... i wont even start.....He has an amazing studio (so i hear) in ramat gan.... it's called ZOHAR MELODY or something and happyjew, i think it's called the united studios of zohar melody, he's not UNIVERSAL STUDIOS (yet) thats a good name for a studio but i doubt very much some one would open another Universal studios (besides THE hollywood one). I think they don't have an in house engineer as such, the use freelancers. The end of the day the guy has an end product. The only down side though is that he does digital recording as apposed to 2inch (which will always be the favorite) it just does not have the same qualities as analogue..



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נשלח ב-8/2/2006 02:50 לינק ישיר 

do you know who does his mixes




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נשלח ב-7/2/2006 16:32 לינק ישיר 

Yes he has his own studio in Isreal It's called Universal somthing - I don't remember the exact name



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נשלח ב-7/2/2006 03:44 לינק ישיר 

thanks for the warm welcome mr. hyde park

since you seem to know a little about ken let me ask you this , why do all of his recordings sound so good? im not talking about arrangements or composition, im talking about sound quality. for some reason  i always thought that the usuall recordings sounded overprocessed,  the drums would usually sound like they were coming from a keyboard (again im talking about sound quality not the drummer himself) but then ken burgess came along and ..... wow!!!!! ok, now that we have ilya this has taken a turn for the better (although i think that on lipas keneina hora some snare sounds are a bit to overprocessed) but still when you listen to kens last recording try to take in mind the hat sound from ron vered, its like you're sitting next to him

so mr. hydepark, whats kens secret? does he have his own studio
?

and for the record im not turkish




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נשלח ב-6/2/2006 14:35 לינק ישיר 

muzakal, i totaly agree about your singolda views. well said Ken does know his stuff and arranges his style exceptionaly like a pro. his compositions are great but.... d a r k.. thats just his style. If you know the man... and what a lovely (but english) guy he is.... it's somehow difficult to see him conducting.... i mean even counting in the musicians. He's there with the hot blooded israelis and he's this layed back english man. BTW muzakal, welcome to the world of OLOM HANEGINA.... muzakal.....muzakal.... you sound turkish



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נשלח ב-27/1/2006 18:29 לינק ישיר 

His song "Onu Bikoach" on the first album is, (in my opinion) teriffic as is "Good, Right & Reason - Yeedle" very powerful songs I really like them.
Hey muzakal why don't you open a new thread on him?
תוקן על ידי - bflat - 27/01/2006 18:29:07



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נשלח ב-27/1/2006 03:16 לינק ישיר 

ok lets discuss but lets remember that we are discussing his second CD not the first and not the third.

the first reason that i loved his arrangements was because it was out of the ordinary, for example the third song "israel" has a great intro (in my opinion)  bass guitar playing a soulfull intro, which another arranger would probably assign to a sax or similar instrument which brings me to to my second reason;
i believe that ken really knows how to bring the best out of musicians. lets take avi singolda for example on every recording that he plays its usually the same stuff over and over again even on the so called "singolda" album that just came out there is nothing that avi shows that he hasnt shown before. but, on this  recording you will hear stuff you never heard before and the same goes to aryeh and the rest of the musicians and i think we have ken to thank for that .

another reason that i like him (i dont know if this falls under the arranger catagory or the composer) is that alot of his songs have a musical touch to them, i'll try to explain this. take these songs for example Bye Bye, Heading For The Good Time, these songs have a certain "riff" that you can play over the whole song. it doesnt sound like the typical "ershte' faal in tsveite faal" know what i mean? if you want to try it out take the intro of "bye bye" and hum it along while the whole song is playing


.......  now as to his singing......



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נשלח ב-26/1/2006 21:46 לינק ישיר 

D A R K but great



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נשלח ב-26/1/2006 16:30 לינק ישיר 

OK, and since you brought it up,,, what are your thought on his arrangements?




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