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Musicians 101

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נשלח ב-8/9/2006 18:57 לינק ישיר 
Musicians 101

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Chevra, I saw this article on a jazz website, I rewrote it to make it more appropriate.                  1*:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />

ENJOY!           1

 

Piano: Pianists are intellectuals and know-it-alls. They studied theory, harmony and composition in college. Most are riddled with self-doubt. They are usually bald. They should have big hands, but often don't and that somehow bothers them.. They were social rejects as adolescents. They go home after the gig and listen to recordings of themselves over, and over till they fall asleep. But let's not blame them, how many musicians need to read 2 lines at once, they are just wired differently!. They also love starting up with the drummers, who they feel are way down on the food chain.

Bass: Bassists are not terribly smart. The best bassists come to terms with their limitations by playing simple lines and rarely soloing. During the better musical moments, a bassist will pull his strings hard and grunt like an animal. Wild eye movements as well his tongue sticking out are normal symptoms. Bass players are built big, with paws for hands, and they are always bent over awkwardly. If you talk to the bassist during a break, you will not be able to tell whether or not he's listening, nor if he cares.

Drums: Drummers are radical. Specific personalities vary, but are always extreme. A drummer might be the funniest person in the world, or the most psychotic, or the smelliest. Drummers are uneasy because of the many jokes about them, most of which stem from the fact that they aren't really musicians. Pianists are particularly successful at making drummers feel bad. Most drummers are highly excitable; when excited, they play louder. If you decide to talk to the drummer during a break, be careful not to sneak up on him, as he might spill his scotch.

Saxophone: Saxophonists think they are the most important players on stage. Consequently, they are temperamental and territorial. They know all the Intro's and hits, but have never come to understand when it is their turn to play, they like to just barge right in, and stay there.. They take exceptionally long solos, which reach a peak half way through and then just don't stop, all the while getting nods from the drummer, and fierce glares from the pianist.. They practice quietly but audibly while other people are trying to play. They are obsessed. Saxophonists sleep with their instruments, forget to shower, and are mangy. If you talk to a saxophonist during a break, you will hear a lot of excuses about his reeds.

Trumpet: Trumpet players are image-conscious and walk with a swagger. They are often former college linebackers. Trumpet players are very interesting to watch play, their faces go from normal to a lovely shade of purple in a very short time.. Many of them don't really play, they just fake it while the saxophonist hogs the set. The rules are: play only if you must, and play as loud and as high as possible. The winner is the one who plays loudest and highest. (Caution: It is loud and high. ) If you talk to a trumpet player during a break, he might confess that he really wants to play the saxophone, but it has too many buttons for him.

Guitar: Chasuna guitarists are never very happy. Deep inside they want to be rock stars, but they're too cultured. In protest, they arrive late, prowl for groupies, drink a lot, and play too loud. Guitarists hate piano players because they can hit ten notes at once, but guitarists make up for it by playing as fast as they can. The more a guitarist drinks, the higher he turns his amp. Then the drummer starts to play harder, and the trumpeter dips into his loud/high arsenal. Suddenly, the saxophonist's universe crumbles, because he is no longer the most important player on stage. He packs up his horn, nicks his best reed in haste, and storms out of the room. The pianist struggles to suppress a laugh. If you want to talk to a guitarist during the break he'll be on his cell phone outside

Trombone: The trombone is known for its pleading, voice-like quality. ''Listen,'' it seems to say in the male tenor range, ''Why won't anybody hire me for a gig?'' Trombonists like to play fast, because their notes become indistinguishable and thus immune to criticism. Most trombonists played trumpet in their early years, then decided they didn't want to walk around with a strange indentation on their lips. Now they hate trumpet players, who somehow get all the attention despite this disfigurement. Trombonists are usually tall and lean, with forlorn faces. They don't eat much. They have to be very friendly, because nobody really needs a trombonist. Talk to a trombonist during a break and he'll ask you for a gig, try to sell you insurance, or offer to mow your lawn.

Sound Engineer:  Ah yes an interesting breed. They usually are guitar players. Have tattoos or earrings. Speak with an accent, and have a bottle of something hidden in their gear rack. They will have a blank glassy look on their faces, and seldom get excited, or mad, but if they do….. run!  During the break they simply disappear don't even bother looking for them.

Chevra, I am leaving the title of  SINGERS to you, step right up let's hear your comments!                1

Zeide a translation would be lovely!                             1 




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מנותק
נשלח ב-8/9/2006 19:14 לינק ישיר 

ביסט מיר נאך שולדיג א איבערזעצונג פון דא: http://masoret.hevre.co.il/hydepark/topic.asp?topic_id=2020696 ערשט טוה דיינס נאכדעם וועל מיר שמועסן די ארטיקל איז זייער זיס, כהאב שטארק געשמייכלט ביי אפאר פלעצער, כמיין אז סוועלן זיין דא מעמבערס וואס וועלן אויך מיטשמייכלן, און סוועלן זיין אזעלכע וואס וועלן זיין באליידיגט.... רבותי! ממיינט קיינעם נישט פערזענליך, ואתכם הסליחה



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סמל אישי
מנותק
נשלח ב-9/9/2006 00:58 לינק ישיר 

Singers:

They arrive late with a little ''Mohel'' bag containing a wireless mic and a delay pedal that when you say ''1'' and calculate the number of times it gets repeated it would total to a number that doesn't fit on a conventional calculator (more than 8 digits).

Then they start adjusting the delay, this takes an obscene amount of time and usually ends with the singer muttering under his breath (but loud enough for everyone close by to ''mistakenly: hear) ''Nah its not gonna gelung today'' then they start proclaiming how '' hant is nisht di nacht'' and ''maan kol is kaput''

When they actually start singing they start up with the ''I cant hear myself, make me louder'' bit. These are the singers that are a little more traditional, the more advanced ones know already (gasp) that faders on a mixer control volume (yes, some of them actually have some knowledge!)

However there is one good thing about this singers; they make funny faces while they sing and its entertaining to watch.

 




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מנותק
נשלח ב-10/9/2006 19:48 לינק ישיר 

Bflat דיין ארטיקל איז געוואלדיג!!! כמעט אלעס איז טאקע אזוי. די בעסטע האב איך ליב געהאט, ווען ער שרייבט ווי דער פיאניסט לאכט, און קוקט אראפ דעם דראמער. יעצט פארשטיי איך שוין פארוואס RICK CUTTLER האט זיך גענומען שפילן PIANO ..... (פאר די וואס ווייסן נישט ווער ריק קאטלער איז, ריק קאטלער איז איינע פון די בעסטע דראמערס וואס שפילן אויף היימישע טעיפס, וואס מ'מאכט אין אמעריקע. לעצטענס האט ער זיך גענומען שפילן פיאנא... היפש רחמנות'דיג. אינזער ידיד פלאכע בי AKA BFLAT האט נישט לאנג צוריק אראפגעברענגט א שטיקל פון ריק'ס וועבסייט, ווער ס'האט עס אויסגעהערט שמייכעלט נאך יעצט). איך האב אייביג ליעב געהאט די טראמפייטער פלעיערס, וואס ביי די סעודה שפילן זיי פידל. אה, זיי זענען געוואלדיג. ווען זיי שפילן פידל וועלן זיי אייביג האבן זייער טראמפעט אויף די שויס. אזוי אז יעדער זאל זען ווי טאלאנטפול ער איז. און ביי א ברעיק ווען דו וועסט אים פרעגן וועגן די פידל וועט ער דיר אייביג טרייען מסביר צו זיין א חילוק צווישן פידל און טראמפייטער, און אנדערע ווערטער. אז דו זאלסט חלילה נישט פארגעסן אז ער קען שפילן ביידע. MUZAKAL דו האסט גאנץ גוט אראפגעלייגט דעם זינגער. איך ווייס טאקע נישט וויפיל זיי קענען זיך אויס מיט די ריקערס אויף די מיקסער, אבער אלע זינגען דעם זעלבען פזמון ווען זיי קומען אן "מאך מיר אראפ די לאוס (LOW) און די HIGH און די MIDS מאך אינמיטן". AND THIS IS A DIRECT QUOTE <פארראכטען אויסגעמישטע ענגליש און אידיש טעקסט> תוקן על ידי - זיידיאנטשי - 11/09/2006 2:15:21



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מנותק
נשלח ב-11/9/2006 02:04 לינק ישיר 

Actually Rick always considered himself a pianist first. 




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מנותק
נשלח ב-18/9/2006 09:13 לינק ישיר 

Thanks
ס'האט מיר געקאסט א לאך

I'm curious though why all percussionists are crazy or at least seem to be total lunatics?




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מנותק
נשלח ב-18/9/2006 19:56 לינק ישיר 

Percussionists are not crazy,,,,,,,,, just ask them they think all of us are!      1
We really should be nice to them, as they are one of the only musicians that need to play off-beat.     1
They tend to be left handed, and small.  They like to keep peeking over the pianists shoulder to try and read the sheet music though I am not sure why. They bring an huge amount of equipment, and almost always have an "original" piece that looks, and sounds like it came out of an old blender. They like to wear something different, be it red shoes, or a neon pink bowtie. During the break they stay on the bandstand, and play around with the drum set. They are always highly entertaining!             1




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מנותק
נשלח ב-18/9/2006 23:13 לינק ישיר 

מצורף קובץ

A guess i have to do my share Here is a photo from a percussion session can you guess which project



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מחובר
נשלח ב-18/9/2006 23:14 לינק ישיר 

מצורף קובץ

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