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| נשלח ב-10/10/2005 20:27 |
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Thats what i thaught, Hey lets call LIPA
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| נשלח ב-10/10/2005 20:31 |
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...and BFLAT .... leave the Mr.... to you it's just HYDE 
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| נשלח ב-12/10/2005 00:52 |
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I hear gal paz (ISRAEL) will have it on motzei yom kiper
any one know what about here
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| נשלח ב-12/10/2005 13:16 |
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cant wait for motzei yom kipur,,,,,,,,,,, first thing after food IS oz yiboka
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| נשלח ב-14/10/2005 11:07 |
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Hey Yanky are you in israel???? can you let us know as soon as you have it HOW IT IS
Here in NY its only out on Motzei Shabas and I think Gal Paz will have it first
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| נשלח ב-2/11/2005 21:39 |
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1) Ki Ani, Composed by Noach Pellai;
A very nice song, a flanger is used on some of the vocals, arrangements are nice.
2) Chasdei Hashem, Composed by Eli Laufer;
A very pleasant song to listen to, the arrangements are really beautiful! It is a song that was written the same style that ''Shiru Lamelech'' with the strumming acoustic guitars. The intro to the song is breathtaking! A mix of an old world Italian waltz (accordion by Mona) and a Strauss Waltz, really nice!
3) Haymoo, Composed by Lipa;
Very Interesting song, I love the first part! The arrangements are very good, with great breaks and grooves in the rhythm to accent the song, a little flanger on the vocals again. Very nice percussion work, great Mona choir. Listen to the brass carefully second half of the third measure the horns are a bit out of unison ,, (I think) but hey, nobody is perfect! His English accent on the ''Lamed's'' adds a touch to the song.
4) Hamalach, Composed by Pinches Weber
A very beautiful melody, the arrangements are not overpowering and that allows the beauty of the song to come out. The rhythm has the strumming acoustic guitar, very warm strings going all over the place. There is a kid that sings on it sounds very young, I get the point of having a little kid sing this song, but his pitch is not that great t, ok it's cute, and the song is gevaldig, very hartzig.
5) Chasidishai, Composed by Yishai Lapidot
A hypnotic song, no words just ''ay day day'', it's interesting to listen to,, nice third part interesting string work.
6) Oz Yibaka, Composed by Hillel Pellai
Very rich strings start off this title song, with a rather dramatic intro, it's a nice song the arrangements are nice.
7) B'fi Kulonu, composed by Noach Pellai
Starts with the signature Singolda guitar to a Latin Hora Rhythm. Very catchy tune very nice, takes on a very interesting twist on the high part. Arrangements are superb very classy, Arkady does saxes, you hear some riffs of low sax (not sure tenor or bari) a very nice song with great arrangements. Choir done by Hershi, nice job.
8) Ein Aroch, Composed by Moshe Bleichbard (?)
A very pleasant slow song, again beautifully arranged. Vocals sound especially good on this song.
9) V'al Hakol composed By Lipa
Starts off with a great guitar groove, and then you get the rest, great intro.
Interesting melody, I like the repetition of words, typical Lipa, very nice! ( He throws in a Whooo every so often, I wonder if hes trying to copy someone…)
10) Chaim, composed by Pinchas Weber
Interesting horns at the end of the intro (sounds like muted trumpet added to the group) a good song, I guess……
11) Vhou Einay, composed by Eli Laufer
A very haunting melody, perfectly arranged, gorgeous! ( interesting harp work !)
A great album, a long time sice we heard such quality in song composition, and arrangement (orchestration), etc. a must buy!!!
תוקן על ידי - bflat - 02/11/2005 22:02:14
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| נשלח ב-2/11/2005 22:21 |
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Where did you manage to get the whole album here in NY?
I heard bit (ok more then just bits) but it's not availible here in NY unless you can enlighten me... By the way V'hoyo einei.... i love that song heard it from eli a long time ago... heard the arrangements and the orchestration i was expecting an electric piano and some cool percussions with a kenny gee style soprano... not what Herschy di altough i like it as it is... also there is a soprano that sound like a cor englais (a first cousin to the oboe) in my opinion its a little of pitch.... also i think the rhythm is mixed too up front (kinda eli lishinsky style) and one final thing mr B, the fx you takin about is called "AUTO TUNE" its as simple as that.
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| נשלח ב-2/11/2005 22:48 |
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Where do I mention fx, and in which song are you hearing the English Horn, (for those of us that don't speak french yet)?
And your right the album was mixed AND mastered by monsieur Lishinsky
תוקן על ידי - bflat - 02/11/2005 23:05:49
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| נשלח ב-2/11/2005 23:54 |
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I'm talking about the v'hoyo einei any you write about flanger on the first song that effect is actually called auto tune if i'm wrong, any one please comment i'm always willing to learn
and Mr B.... WHERE CAN I GET THE ALBUM???? I wana write my own review.... actually thats not true, I JUST WANT TO LISTEN
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| נשלח ב-3/11/2005 17:11 |
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Ok, A flanger is a fx that is primeraly used on guitar. But like all fx's it can be used on any application. (Including vocals)
Flanging is an effect that changes the TIME of the sound in a very subtle way so it is noticed as an effect on one sound rather than two different sounds.
Flanging is really a form of phase shifting, except that it's much more dramatic. The delay time for a flange effect is around 10 to 20 ms, but it's up to you to decide as to how strong, or fast (rate, and depth) you want the fx to be.
Phase shifting means very slightly moving a soundwave out of phase, or simply put, take two sequences of sound, and play them a little out of time.
A good example of this would be to take two tape recorders, and put the same tape into each one, and press play at the same exact time. After a while you will hear a interesting sound, as the speeds of the tape-players are not exactly the same, the result will be Phase shifting, or flanging.
Autotune on the other hand is not an application that affects the TIME of the sound, but rather the PITCH of the sound. There will be those that will say that if you change the speed, or time, you change the pitch, but we can discus that a different time.
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| נשלח ב-3/11/2005 18:06 |
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I would like to apologize if some people do not understand what some of the terms that are used mean, here is an explanation.
FX-
This means simply Effects. (say ''f'' and ''x'' fast).
Effects are changes to the sound. When you hear Michoel Shnitzler, or anyone else sing at a wedding and the music suddenly stops, and you hear his voice being repeated after he sang the last note, this is an effect.
It can be caused by something called DELAY, which means to make the sound a little later, or REVERB, which means to bring the sound around.
When you are in an empty room and you hear an echo, that is a form of REVERB, the sound going around the room and coming back to your ears.
PITCH-
The best way to describe it would be to say it a form of tuning. When you hear a sound that's ''out of PITCH'' that means it's out of tune. It's not totally out of tune, just slightly, enough for you to notice.
EQ-
That is similar to the controls that you have in your car for the bass, treble, mid, etc. only on a much bigger scale. (much more buttons!)
AUTOTUNE-
This is a new type of effect. When a singer records a piece of music, and there are some parts that are off tune, you can have the computer AUTOTUNE it. What that means is that the computer will fix the voice and make it sound on tune.
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| נשלח ב-4/11/2005 16:01 |
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I have sent a clip to an engineer that does a lot of this type of work for the jewish music crowd, his verdict is,,,,, it was done using autotune!,,, wow
it's not often that I am wrong (and ready to admit it!) 
now let me go put on my hat so I can take it off to you, Mr. Hyde!
תוקן על ידי - bflat - 04/11/2005 16:47:00
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| נשלח ב-19/2/2006 17:42 |
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MAZAL TOV. SRULI GINSBERG HAD A BOY.......................
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| נשלח ב-19/2/2006 19:37 |
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מזל טוב!
נייעס פון דעם סארט (בפרט פאר א מעמבער פונעם פארום) פארדינט זיך א באזונדערע אשכול ווי אלע באקאנטע זאלן קענען
אנווינטשען
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