http://www.forward.com/articles/13683/
Despite Controversy, Hasidic Singer's Popularity Soars
On June 22, Hasidic singing sensation Lipa Schmeltzer stepped out to
greet his fans in one of his first large-scale appearances since a
firestorm erupted over the cancellation of his concert, ''The Big Event.''
Making appearances at three stores in the Boro Park neighborhood of
Brooklyn just one week after the release of his newest CD, ''A Poshiter
Yid'' (''A Simple Jew''), Schmeltzer is back — and says that he is now
busier than ever.
The March 9 concert, which was expected to draw a crowd of around
5,000 to New York City's WaMu Theater at Madison Square Garden, with
separate seating for men and women, was abruptly canceled after an
edict was issued by 33 rabbis in the Hasidic community, forbidding
people from attending. Schmeltzer's music was declared to cause
''lightheadedness'' and thus lead people off a religious path.
The ban, which came as a shock to organizers who claimed that the
concert was fully kosher, led Schmeltzer to back out of the event,
creating a maelstrom of controversy in this insular community.
''It bothers them that this guy who dresses up in Hasidic ways brings
to them a certain music that before then was only for Manhattan,''
Schmeltzer said in a phone interview. ''You have to give them a way of
kosher entertainment. It's a mitzvah for me to do this.''
For some of his critics, though, his music, which blends traditional
Yiddish and Hebrew lyrics with more modern beats, inappropriately
transports secular music into the community. For others, the size and
scope of the concert, and Schmeltzer's elevated status as a celebrity,
were cause for concern.
''In American culture, unfortunately, role models are not just
intellects and people of good deeds, but entertainers,'' explained Rabbi
Avi Shafran, director of public affairs for the ultra-Orthodox
organization Agudath Israel of America. ''From an Orthodox Jewish
perspective, an entertainer is not a role model.''
The fact that ''Mr. Schmeltzer's style had come to mimic certain
parts of society's lowest popular culture expression concerned them,''
Shafran said of those who signed on to the ban.
Schmeltzer, who makes the majority of his income by performing at
weddings, bar mitzvahs and other celebrations, asserted: ''If I make up
a song or any other Jewish artist makes up a song and the style is
something new and uplifting, I don't think there's anything wrong with
me. I mean, who made up a Jewish style?''
According to Ezra Friedlander, founder and CEO of the Brooklyn-based
public relations firm The Friedlander Group, Schmeltzer is ''even a
bigger superstar than he was before. Controversy has that magical
effect of making you larger than life.''
At Mostly Music, where Schmeltzer made his first stop of three to
greet fans last month, crowds of men, women and children, many donning
head scarves or black hats, filled the store to get a glimpse of the
superstar.
''I think the controversy has created him,'' said onlooker Rivka M., a
resident of the Bayswater neighborhood in Queens who asked that her
full last name not be used. ''The longer adults decry his music, the
more popular he gets.''
Rivka, whose 17-year-old son listens to Schmeltzer, and who
previously found his music to be offensive because of what she
describes as his hip-hop and rap influences, now lauds Schmeltzer for
his response to the controversy. In her opinion, the fact that he
listened to the rabbis and took their advice legitimized him and his
music.
''I can definitely speak for myself in that I'm personally less
negative about his music, knowing he's a mensch,'' she said. ''The
concert situation for me made his music okay because he's okay.''
Though Schmeltzer denies that he changed his style of music since
the ban was issued, his promoter, Gershy Moskowitz, admits that his new
album is more ''kosher'' than the previous one. In total, Schmeltzer has
released eight other CDs.
''The other ones are jazzier,'' said 13-year-old Ushi Kleinbart, while
waiting in the Eichlers Judaica store to meet the musician. ''This is
more of a normal tape.''
Even with his new sound, people seem to be responding well. According
to Avigdor Tonbowski, an employee at Mostly Music, the phones rang off
the hook and people waited in a long line that snaked out the door to
buy Schmeltzer's CD the day it was released.
''His CD is simple. You don't have to be a rebel or a rabbi. I love
it,'' said 17-year-old fan Avrumi Dinkel, a Boro Park resident.
''We have so many problems out there that music should not be one of
them,'' Schmeltzer said. ''I'm selling thousands and thousands of CDs.
There's always going to be people out there who don't like it. I don't
care.''
Lana Gersten is a writer living in New York.